Pictures Gallery - art & computer. Works of art created with the digital brush			page 1 of 1
However, increasingly is becoming established the possibility of using the computer to freely create the work of art, using it as if you had in hand the brush and palette, or as if you get to make a art print, both realistic way that with the language of abstractionism. With this purpose was born in Florence-the-Art & CC (Art Computer Connection), while some artists create computerized works, which, although reproducible in the series, shows, through the deep differences between those of one and those of other, that this tool is qualified to achieve faithfully the individual expression of personality definitely distinct. Recall among them Mario Agostini (Fermo, Ascoli Piceno 1940) and Giovanni Maggini (Florence, 1946). The one to another, to proof what we said, develope also using this new tool, their own individual tendencies, continuing on the road that they had previously taken up in works with the traditional technique. Agostini is a painter whose abstractionism is based on chromatic lines, drawn sometimes obliquely, sometimes horizontally, with a violent involvement directional, anyway expressing always a strong emotional charge. Maggini creates, by means sparsely gaudy colours, solid abstract forms, vigorous, sometimes sharps, but in a balance constructive, with mutual harmonious relationship that demonstrates its far-away origin in the abstractionism classic. Piero Adorno
CAA21 - Monteluco	CAA06 - Marine	CAA03 - Order	CAA04 - Study
CAA05 - Déco	CAM16 - Red	CAA20 - The dover in war	CAA08 - Waves
CAA09 - Round	CAA10 - Free	CAA11 - Air and water	CAA12 - Argonauta
CAM13 - Across	CAM14 - Roud cosmos	CAM15 - Metropolis	CAM17 - Strong round
CAA02 - Dea Cupra	CAM18 - Transparent	CAA19 - The travelling	CAA01 - Island
CAA07 - Totem	CAA22 - Sign and matter	CAA24 - Graffiti	CAA23 - Solar

The works of art in this pictures gallery can be printed in the size desired
on drawing paper by through a plotter high-definition.
The print run is limited to 50 copies.

Art & Computer

The Digital Painting

The computer is without doubt the most flexible and fast instrument that man has ever had available.
Its applications range in each direction through applicative connection that until a few years ago were unimaginable. This is a new and incomparable tool, with its precise operativeness: a tool that simply store and computer data has become in a few decades also a wonderful creative tool, able to offer to every artist that can manage it competently, the widest range of expressive possibilities to which man has ever been able to reach.
The computer is intrusive instrument able to carve out spaces at the interior of the most different disciplines and pandering in astonishing manner the requirements more varied, but at the same time is also very similar to the simple box of colours that only in the hands of a creative expert, can reveal its qualities and express its maximum potential of the instrument.
E' deeply wrong see the computer as a competitor to brush bristle and equate its products to those made by the artist manually. The computer has its own particular specificity that makes each creation realized through its use, independent and original, whether it come printed on a support or that come projected. In perfect harmony with the conception of ars-multipla, creativity that makes use of computer can be considered as the evolution of ancient technique of manual realization for printing plates. Moreover, the file created by the artist, often with the use of the tablet, which allows him to keep intact the manual gesture as if working directly on a sheet or on a table, is conceptually much closer to the plate engraver, born in order to distribute multiple, that not the painting which began as a unique work.
The creative use of computers creates a competitive relationship with the intervention traditional pictorial only in the originality of the result that reaches, otherwise is proposes simply as a method new and amazing of development and dissemination images, at the same level of the various artistic techniques from oldest to most recent, oriented for the production of multiple art.